I've finally got my finger out of my bum! Huzzah! (Well sort of).
Whenever I struggle to get any writing out, I have a habit of watching movies instead. It is procrastination but it can easily be worked into a creative aid, particularly if I waste my time watching films about writers and the writing process. It's odd but watching such movies infuses me with the sort of enthusiasm I can rarely churn out all by myself. It's kind of like spending time with other writers without the threat of pretentious pontificating of the medium or other ego massaging activities. Furthermore most films about writing are to do with writer's block brought about by lack of enthusiasm and/or discipline which is often what grinds me to a halt. It's cathartic.
I love each and every film about writing a little bit and for so many different reasons but I do have some particular favourites I keep coming back to. Here are the top five. I've included a few interesting facts for all my fellow movie buffs out there. I'm sure you know most of them already but it's always good to check.
5. AMERICAN SPLENDOR (2003)
Directors: Shari
Springer Berman, Robert Pulcini
Writers: Harvey
Pekar and Joyce Brabner (comic series), Shari Springer Berman, Robert Pulcini
(film)
Stars: Paul
Giamatti, Hope Davis, Harvey Pekar
Synopsis: An
original mix of fiction and reality illuminates the life of underground comix
hero everyman Harvey Pekar.
Why I like it: American Splendor is one of those rare films with one
foot in documentary and the other in biopic, darting between both with artful
skill. It's a new platform for Harvey Pekar to display his gruff yet humble
worldview, so much so that it even incorporates the movie making process. Paul
Giamatti plays Harvey Pekar with gusto and sensitivity, successfully coming
across as the underground comix writer even alongside the writer himself.
Harvey Pekar, in any of his incarnations, will be sorely missed.
Awards: Boston
Society of Film Critics, Chlotrudis Awards, Los Angeles Film Critics
Association, National Society of Film Critics, Writers Guild of America - Best
Screenplay/Best Adapted Screenplay (Pulcini and Springer Berman) etc.
4. WONDER BOYS (2000)
Director: Curtis
Hanson
Writers: Michael
Chabon (novel), Steve Kloves (screenplay)
Stars: Michael
Douglas, Tobey Maguire, Frances McDormand
Synopsis: Grady
Tripp, Creative Writing professor and writer, tries to deal with his wife
leaving him, the arrival of his editor who has been waiting for his new book
for seven years, and the various problems that his friends and associates
involve him in.
Why I like it: It
seems that all good films about writing need to be about writer's block.
However Wonder Boys is not just that;
it's an often hilarious road trip set around writers featuring transvestites,
dead dogs, unconscious students and even a coat once owned by Marilyn Munroe.
Michael Douglas makes a credible eccentric professor burdened by a never-ending
novel and the heady campus lifestyle.
Awards: Los Angeles Film Critic Association - Best Actor (Michael Douglas), Los Angeles Film Critic Association, Boston Society of Film Critics, Broadcast Film Critics Assocation, Florida Film Critics Association - Best Supporting Actress (Frances McDormand), Boston Society of Film Critics, Las Vegas Film Critics Circle - Best Screenplay (Steve Cloves)
3. STRANGER THAN FICTION (2006)
Director: Marc
Forster
Writer: Zach
Helm
Stars: Will
Ferrell, Emma Thompson, Dustin Hoffman
Synopsis: Harold
Crick, an IRS auditor, suddenly finds himself the subject of narration only he
can hear: narration that begins to affect his entire life, from his work, to
his love-interest, to his death.
Why I like it: The
other films on this list address the world in relation to the writer but not
the character. Mortality has never been so preordained or poetic than in Stranger than Fiction. Will Ferrell
tidies away his usual brand of humour to create a gentle lonely man and Emma
Thompson is magnificent as a blocked writer with a predilection towards killing
her protagonists. The ending disappoints me a little but it fits nicely with
the rest of the story nevertheless.
Awards: National Board of Review - Best Original Screenplay (Zach Helm)
2. BARTON FINK (1991)
Director: Joel
Coen
Writers: Joel
and Ethan Coen
Stars: John
Turturro, John Goodman, Judy Davies
Synopsis: Barton
Fink, a renowned New York playwright, is enticed to California to write the
screenplay for a wrestling movie and discovers the hellish truth of Hollywood
in a lonely hotel room.
Why I like it: Everybody's
seen at least one Coen Brothers film. If not, then they really should. Barton Fink is essentially a film about
naivety, stagnation and writer's block. It tops most 'Films about Writing'
lists and for good reason; the Coen Brothers wrote this while trying to write
another screenplay, Miller's Crossing.
So maybe procrastination isn't always bad. John Turturro delivers a fine
performance but John Goodman absolutely steals the show.
Awards: Cannes Film Festival - the Palme d'Or, Best Director (Joel Coen), Best Actor
(John Turturro).
ADAPTATION (2002)
Director: Spike
Jonze
Writer: Charlie
Kaufman
Stars: Nicolas
Cage, Meryl Streep, Chris Cooper
Synopsis: Charlie
Kaufman, a lovelorn screenwriter, turns to his less talented twin brother
Donald for help when his efforts to adapt non-fiction book The Orchid Thief go nowhere.
Why I like it: Charlie
Kaufman is a genius. When he couldn't write a script about a book with no story
he wrote a script about himself struggling to write that script. And he made it
work! Nicolas Cage turns out a surprisingly tasteful performance as both Charlie
and Donald Kaufman. The Orchid Thief: A
True Story of Beauty and Obsession by Susan Orlean is a book that actually exists!
Awards: Academy Award - Best Supporting Actor (Chris Cooper),
BAFTA Award - Best Adapted Screenplay (Charlie Kaufman).
HONOURABLE MENTIONS
- Capote (2005) - A great actor portraying a great writer. As for the plot, In Cold Blood indeed.
- The Ghost Writer (2010) - More of a political thriller but provides a decent commentary on a fascinating branch of writing. Plus its a Roman Polanski film - 'nuff said.
- Misery (1990) - I prefer the book but it's got a fantastic performance from Kathy Bates as Annie Wilkes.
- Naked Lunch (1991) - I haven't seen this one yet. Seems fun in a vaguely disturbing way.
- Ruby Sparks (2012) - Another 'writer-writes-a-person-into-existence' film but much sweeter. Perhaps a little too sweet at times.
- Sideways (2004) - More of a 'grown-up' road trip movie but it brings to the fore some harsh truths about making a career as a writer.
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