Hullo all,
That's right! I'm back!
I apologise for my much prolonged absence; big loud demanding things (mostly university-related) have been weighing me down with sheer business. However, I bring goodies! Whilst off doing goodness knows what, I've been kept just as busy writing new and, dare I say, more experimental stuff; some of which I'll risk my neck showing you lot.
Anyway, rather than squeezing it all into this single post and thereby demanding probably the longest scroll-down in history, I shall send each piece of work out individually with maybe a short paragraph of commentary to lead you in.
Again, very sorry about the tardiness.
Thanks for reading,
Mr. Pondersome
I (sometimes) call myself Mr. Pondersome. I'm a rather wordy, weirdy person. I say hullo a lot. I write a lot more. While you're here, why not give some of it a read?
Sunday, 27 November 2011
Tuesday, 23 August 2011
"A View on Freedom", "A Rather Sensual Run-on Sentence" and "The Other Eyes" (a.k.a. Three Odd Little Things I Wrote during My Summer Break Down South)
Hullo all!
In case you're wondering, I'm back! Oh, and in case you're wondering the relevance of that statement, I was on holiday for two weeks down in the Devonshire area. But I'm back! YAY!
So, now that that's all cleared up, how about seeing some of the stuff I wrote on said holiday?
Now, before I go on, I feel like I should alert you on the sudden change in layout. Seen as how the pieces I'm posting are rather short and so easy to phase in, I've decided to fit them between the overflowing dross of my commentary/digression. I realise that some of you may just scroll down past all this yackity-yack, but I do feel that I bring up some interesting points occasionally. Anyway, this is by no means permenant. We'll just see what happens, eh?
First and foremost is "A View on Freedom". This is an amateur philosophical musing that I thought might be interesting to put to you. Believe it or not, I spend the majority of my 'creative time' coming up with ridiculous character names and strange (though still possibly accidentally plagiarised) thoughts on life and stuff. This is one of the few I'd feel relatively comfortable releasing into the big wide interweb. Make of it what you will, I was on a pensive roll that day.
A VIEW OF FREEDOM
FREEDOM is:
1) Total. It owes little to order or chaos, for these are the measily measures of Man.
2) Scattered. It lives in every eye of all beholders but lies, kneels and stands in every other space also.
3) Eternal. It is even beyond eternity. Freedom sighs life, freedom coughs death.
Now, aren't I deep? Anyway, the next piece, "A Rather Sensual Run-on Sentence", is a poem (or at least I think it is) playing with interesting and, obviously, sensual sounds. Interestingly I've found that everyday words, if said in the right tone of voice, can be very much delectable to the ears. I'd let you hear my verison of the reading, but it just won't transfer (sorry). Oh, and it's rather silly as well...
A RATHER SENSUAL RUN-ON SENTENCE
Robert clasped the apricot,
slaked the juice and flavours,
wound it round the cellar door,
draped it on the basket;
lisped a humble whisper
for the waste on the paper
whet the silence lightly
then glanced out for the crisps.
The final piece is prose fiction, currently my favoured type. However the genre of choice here is something I have little practice in - chiller and/or suspense. One lazy morning I thought of the phrase "The Other Eyes" in an armchair and wondered just what it would be about. I've always had a phobia about eyes; even the movements they make, but that's when I REALLY focus on them. So I thought I'd try making a short story about a fellow phobic whom I put through a rather nightmarish experience. Eventually this character turned into a girl and then just about everything fell into place. It turned out that I was overthinking the layout of the story when all I needed was to play around with the well-known insecurity of the teenage girl's mind. But I'm not a psychotic or anything, writing this even gave me the willies. And now I'll pass them all on to you.
THE OTHER EYES
So, that's about it. I'll just finish by saying that the holiday break was delightful and much-needed, but now it's back to the grind. Or whatever else it is that I do with my time, besides writing. Which isn't much. Not really. Still, off I go...
Thanks for reading,
Mr. Pondersome
In case you're wondering, I'm back! Oh, and in case you're wondering the relevance of that statement, I was on holiday for two weeks down in the Devonshire area. But I'm back! YAY!
So, now that that's all cleared up, how about seeing some of the stuff I wrote on said holiday?
Now, before I go on, I feel like I should alert you on the sudden change in layout. Seen as how the pieces I'm posting are rather short and so easy to phase in, I've decided to fit them between the overflowing dross of my commentary/digression. I realise that some of you may just scroll down past all this yackity-yack, but I do feel that I bring up some interesting points occasionally. Anyway, this is by no means permenant. We'll just see what happens, eh?
First and foremost is "A View on Freedom". This is an amateur philosophical musing that I thought might be interesting to put to you. Believe it or not, I spend the majority of my 'creative time' coming up with ridiculous character names and strange (though still possibly accidentally plagiarised) thoughts on life and stuff. This is one of the few I'd feel relatively comfortable releasing into the big wide interweb. Make of it what you will, I was on a pensive roll that day.
A VIEW OF FREEDOM
FREEDOM is:
1) Total. It owes little to order or chaos, for these are the measily measures of Man.
2) Scattered. It lives in every eye of all beholders but lies, kneels and stands in every other space also.
3) Eternal. It is even beyond eternity. Freedom sighs life, freedom coughs death.
Now, aren't I deep? Anyway, the next piece, "A Rather Sensual Run-on Sentence", is a poem (or at least I think it is) playing with interesting and, obviously, sensual sounds. Interestingly I've found that everyday words, if said in the right tone of voice, can be very much delectable to the ears. I'd let you hear my verison of the reading, but it just won't transfer (sorry). Oh, and it's rather silly as well...
A RATHER SENSUAL RUN-ON SENTENCE
Robert clasped the apricot,
slaked the juice and flavours,
wound it round the cellar door,
draped it on the basket;
lisped a humble whisper
for the waste on the paper
whet the silence lightly
then glanced out for the crisps.
The final piece is prose fiction, currently my favoured type. However the genre of choice here is something I have little practice in - chiller and/or suspense. One lazy morning I thought of the phrase "The Other Eyes" in an armchair and wondered just what it would be about. I've always had a phobia about eyes; even the movements they make, but that's when I REALLY focus on them. So I thought I'd try making a short story about a fellow phobic whom I put through a rather nightmarish experience. Eventually this character turned into a girl and then just about everything fell into place. It turned out that I was overthinking the layout of the story when all I needed was to play around with the well-known insecurity of the teenage girl's mind. But I'm not a psychotic or anything, writing this even gave me the willies. And now I'll pass them all on to you.
THE OTHER EYES
She wept at it. That moment when you clearly see another’s eyes resting on you, landing upon your shoulders. And not just the weight of it, she loathed the movements too; those tiny little twitches and flickers of the roving eye. She noticed them all.
And it hurt; it really burnt whenever she met with a mirror. To see herself, her very own eyes darting about her reflection was always too much. With every start and every slide she’d find the two of them following her and begged them away. At the point of yielding, she would always move aside to the shadow on the wall. That glass, that reflector - all those windows were so cold in their delivery.
She saw no soul in those eyes, no wisdom; just a lifetime of reception and surveillance. She felt watched at every crossing, knowing her own vision was not to be trusted. But they weren’t the gullible ones; they were the tricksters, the traitors to her very freedom.
And no-one else saw this. They stared at her in disbelief whenever she'd recount her fears, they laughed and winked as if she was kidding them as well as herself. Everyone had blinked, everyone had missed and she alone knew the glaring truth.
And then it progressed. One morning she awoke, rose to the sight of herself from a greater perspective. This was not philosophical, this was not hypothetical, this was all too physical. She spotted herself from across the room, as if she had suddenly parted from her body to linger in the far right corner. And there she was, just in her own peripheral. The fleshy shapes were blurred at first but then she froze and saw it all so plainly.
The details horrified her. Her hands were so pale, her legs were so thin, her smile so weary. And her eyes...oh, her eyes...such devils. She could feel the black scorn in those pupils as they glared daggers at her hollow consciousness. She lost herself in the great blank canvases of her whites, shrank back at the acidic green of her irises. Such vicious beauty. Such a way to introspection. She tried turning aside but found her gaze rigid. She curved left, she wound right. She could not shake it. Herself and herself alone.
She watched and watched back for the rest of the morning and maybe ever since. Such things were conveyed in that tidy little room, such sharp and closing things. No-one could open the door after; it was sealed as tight as a reflection to its mirror. No light fled, no shade arrived. She was held and the space was lost. The world moved on with eyes to the earth. It's colours cared little.
So, that's about it. I'll just finish by saying that the holiday break was delightful and much-needed, but now it's back to the grind. Or whatever else it is that I do with my time, besides writing. Which isn't much. Not really. Still, off I go...
Thanks for reading,
Mr. Pondersome
Friday, 5 August 2011
"Pizzas" and "In Pursuit of the Elusive Poetry Groupie" (a.k.a. The Effects of Age and Priority on a Growing Poet)
Hullo all!
Please pardon my latest post delay - I've been working up and winding down so much recently, I'm starting to feel cracks and tears all over me. In short, I need a holiday... But do not fear! I'm not going to just leave those of you still reading in the lurch before I do - I have POEMS!!!
Well, two to be exact. I thought that it might be both entertaining and educational (has 'edutaining' been entered into the dictionary yet? Or is it 'edutational' or something else entirely?) to display to you one poem from my VERY fresh-faced youth (we're talking Junior/Primary School here, for all you former scholars of the British educational system), and one from practically a week ago.
The first is "Pizzas". Out of all the work from before and during puberty, this is the poem that I still cannot help but adore. It's mostly for sentimental reasons obviously, but I like to think that it was really a rather impressive piece of poetry for a very young child, as I was (especially one who had only ever really read "The Lady of Shallot" by Lord Tennyson and Alfred Noyes' "The Highwayman", and virtually no other poems). I have tweaked it, but only very slightly; remember, I was only a very young child when I first wrote it. Anyway the title's pretty self-explanatory, not to mention indicative of it's orally-fixated, chubby, chomping little author (there, I said it...and with all the ugly adjectives too...)
The second, "In Pursuit of the Elusive Poetry Groupie", is almost equally simplistic in its composition but with that essential bit of poetic experience thrown in. And let's not forget about life experience: I think that the title is quite self-explanatory on that matter too. I know it's both naive and vain to believe that such a thing as a 'Hot Female Poetry Groupie' exists for a low-level poet such as I, but I'm not giving up hope just yet. Who knows, she may be at the next poetry recital I perform at - doubtful but maybe.
Anyhoo, I digress and into an emotional minefield, no less. I shall leave you to measure the change of years on this young and (not so) humble poet for yourself, using these cute little slices of poetry. They may not be the height of my skill but they certainly give a distinctive insight...
PIZZAS
Pizzas fat,
Pizzas flat,
Pizzas small,
Pizzas tall,
Pizzas delicious,
Pizzas nutritious,
Pizzas long,
Pizzas strong,
Pizzas light,
Pizzas for the day,
Pizzas for the night,
Pizzas from above -
Pizzas I love!
IN PURSUIT OF THE ELUSIVE POETRY GROUPIE
Women with words
go together like birds -
all in a flutter
but men with words
to flatter those 'birds',
stare down the gutter
cos 'Straight Male Poet',
who rarely does know it,
is out for the girls
fingers to find
those elegant spines,
those delicate curls
but I'm not one,
now the words have all gone
and fallen to me
and there's not One -
girls curtsey till gone
as I write for free.
And that just about wraps it up for this week/month/year's blog post. Once again I shall leave you for obscurity for a while, and then probably resurface within a matter of weeks. Who knows? I may even be back at uni when I do, grinding out fiction with the usual trusty verbal diarrhoea. There's no accounting for where my head will be then...
Thanks for reading,
Mr. Pondersome
Please pardon my latest post delay - I've been working up and winding down so much recently, I'm starting to feel cracks and tears all over me. In short, I need a holiday... But do not fear! I'm not going to just leave those of you still reading in the lurch before I do - I have POEMS!!!
Well, two to be exact. I thought that it might be both entertaining and educational (has 'edutaining' been entered into the dictionary yet? Or is it 'edutational' or something else entirely?) to display to you one poem from my VERY fresh-faced youth (we're talking Junior/Primary School here, for all you former scholars of the British educational system), and one from practically a week ago.
The first is "Pizzas". Out of all the work from before and during puberty, this is the poem that I still cannot help but adore. It's mostly for sentimental reasons obviously, but I like to think that it was really a rather impressive piece of poetry for a very young child, as I was (especially one who had only ever really read "The Lady of Shallot" by Lord Tennyson and Alfred Noyes' "The Highwayman", and virtually no other poems). I have tweaked it, but only very slightly; remember, I was only a very young child when I first wrote it. Anyway the title's pretty self-explanatory, not to mention indicative of it's orally-fixated, chubby, chomping little author (there, I said it...and with all the ugly adjectives too...)
The second, "In Pursuit of the Elusive Poetry Groupie", is almost equally simplistic in its composition but with that essential bit of poetic experience thrown in. And let's not forget about life experience: I think that the title is quite self-explanatory on that matter too. I know it's both naive and vain to believe that such a thing as a 'Hot Female Poetry Groupie' exists for a low-level poet such as I, but I'm not giving up hope just yet. Who knows, she may be at the next poetry recital I perform at - doubtful but maybe.
Anyhoo, I digress and into an emotional minefield, no less. I shall leave you to measure the change of years on this young and (not so) humble poet for yourself, using these cute little slices of poetry. They may not be the height of my skill but they certainly give a distinctive insight...
PIZZAS
Pizzas fat,
Pizzas flat,
Pizzas small,
Pizzas tall,
Pizzas delicious,
Pizzas nutritious,
Pizzas long,
Pizzas strong,
Pizzas light,
Pizzas for the day,
Pizzas for the night,
Pizzas from above -
Pizzas I love!
IN PURSUIT OF THE ELUSIVE POETRY GROUPIE
Women with words
go together like birds -
all in a flutter
but men with words
to flatter those 'birds',
stare down the gutter
cos 'Straight Male Poet',
who rarely does know it,
is out for the girls
fingers to find
those elegant spines,
those delicate curls
but I'm not one,
now the words have all gone
and fallen to me
and there's not One -
girls curtsey till gone
as I write for free.
And that just about wraps it up for this week/month/year's blog post. Once again I shall leave you for obscurity for a while, and then probably resurface within a matter of weeks. Who knows? I may even be back at uni when I do, grinding out fiction with the usual trusty verbal diarrhoea. There's no accounting for where my head will be then...
Thanks for reading,
Mr. Pondersome
Monday, 18 July 2011
Constance Part 3 - FOG RINGS AND CLARITY
Four years changed and I felt the brunt of none of it. By then my dreams had become plainer as imagination turned its hand to more grown-up matters. Nevertheless my steps towards the twenty year milestone were still as timid as they'd ever been. Not without Constance. She'd been there before, she had to be there again. And then, in the shade of dusk, she stood before me once more. Once more.
She turned away. She'd changed her hair again: dyed it blonde, let it grow out. I sighed and touched her shoulder. Her cotton jumper felt damp. I moved around her, searching for a smile. Her lips twitched and quivered. Before I could catch her gaze, she hurried forward. I could not fathom where she was going: we were surrounded by a ring of fog.
I reached for her hand but it flinched away. I tried a smile of my own but it didn't last. There they were: tears on her cheek.
I shrank down, pleaded with her, followed her aimless walk but she refused to even turn to me. I asked her in so many ways what was wrong and what I had done but she would not talk. Silent as ever, but never before had it stung my ears so. Words streamed out of me to fill the moment, to save it, but...nothing.
My hands shook as I moved after her, fumbled as they gripped the sides of her face. I stared at her, eyes mad and wide; searched for doubt, for the smallest hesitation. Her eyes did their best to avoid mine but I caught them. Redness swarmed about the silver, dulling their glimmer down to a spark.
At lasts she pulled apart my hands and threw them back to my sides. I stood there and watched as she opened her hand and struck me. I took it: stumbled backwards, forwards, landed hard on my knees. With crooked fingers I touched my cheek, felt the sting again. I did not rise up; I let her step into the haze, cursing everything I could. I knew to stay back. It was her choice. Constance didn't want to stay.
And why would she? She had good reason not to. It was my mind: I could have stayed a while longer. I had it in me to prolong the dream. But I didn't. I had abandoned all chances. I had abandoned her.
As if responding to my wordless apology, she glanced back. It was brief, but she definitely stopped. She let something go: the slightest twitch of an aching smile. I returned the favour as best I could. I hoped that she knew I loved our time here, whatever it may have meant.
And then she turned back, now standing before a corner. It was the best I could do. I couldn't lose her to the fog, after all. Not completely. She moved around it till she was out of sight. In a moment I was on my feet again, sprinting for the blank wall. I can't lose her, I can't lose her...
There it was. At the very end, there it was again. Nothing.
I slumped back down to my knees, yielding to the damn thing. Tears fell and disappeared, dissolving as quickly as the corner, the surrounding fog. It was coming and I did not fight it. I never once looked down.
I felt the tears, the real ones, and they brought me out. I sat up, let them roll away, let others follow. When the morning at last arrived I felt no better. I couldn't understand why I wept for a figment, a fading woman; but I did and that made it all the more worse. The warmth had well and truly left now; I was alone with a cold day climbing up my shoulders. But I carried on. I dressed, stepped out and carried on.
After all, a dream is a dream, isn't it? What hurts you by night, can't possibly hurt you by morning. Day is something else, too big to be held back by such odd little concepts. I went a whole lifetime thinking this way.
Now I know how foolish such a thought is. Dreams are worse than reality; they can linger just as long. Eyes open or shut, they never really leave you. And she most certainly does not. Constance was and, in many ways, still is. Though I know I'll probably never see her again, she is welcome to my nights like the ghost of glory past. Like an angel never truly met.
Sunday, 17 July 2011
Constance Part 2 - STOCKINGS AND PATIENCE
The slightest rustle of nylon unfolding: a very humble sound to drift into. Not to mention rather promising to a lustful teenage boy. I yielded to a glance at her thigh.
Oh yes, she had certainly changed with the times; renewed herself, if you will. She could well have been anyone else if it wasn't for her angular chin, her pert little nose. The long brown ringlets had me fooled at first but I recognised the sparkle in those rolling eyes. We were old friends in new roles. For one afternoon in my sixteenth year, the woman of my dreams had become my lover. If only I could remember what had led to this very contented moment.
My mind was completely blank. All I knew was that I was now truly a man and that a true man would not let a woman like her leave again. She told me she had to: I was only her four o'clock, after all. Naively I thought I was more. I watched dumbly as she draped her red leather coat across her shoulders; I merely nodded as she fastened the straps on her jewelled shoes. I kept commanding myself to stand up, to reach out for her hand but every moment after I did nothing. At last she collected her money and made for the door. At last I found my voice.
"Please. I just can't let you go like this. I know it's inappropriate but I must be sure that I'll see you again." That was the gist: I can't quite recall the exact state of those faltering words.
And she stood there. Her lips twitched as before; she had to bite down on the lower half. She reached into a hidden pocket and withdrew a card. She closed it in my quivering palm. It was something; the smallest token of a patient woman. I unfurled my fingers and glimpsed the top: in bold letters, 'CONSTANCE'. I thought it an ill-fitting name for such a graceful creature. I held onto it anyway; tucked it away into the back pocket of my jeans and, indeed, my memory. Her smile regained its confidence as she turned back towards the door. She gripped the handle and was gone. I folded my arms and watched without even a moment's surprise. I followed shortly after but nowhere near as softly. Things were changing. A different place was waiting but I just couldn't bring myself to meet it yet. Just a bit longer. Just a few more...
Within the seconds I was taken, I clung onto that name; repeated it from thought to tongue to teeth and back again. Constance, Constance, Constance, Cons-
I grasped for my pockets. The insides were warm against my fingertips as I scratched and scrabbled around. I felt no sharp edges, no cool laminate. Just the same old fabric. I withdrew my hand as I opened my eyes. I should have read the number, the contact details. I should have memorised them. But they were only smudges now, everything except that name.
And then I remembered where I was, realised that I'd never actually been in that room; understood that it was far away if it even existed at all. CONSTANCE. There was no Constance. She wasn't here. Reality had swallowed me whole again.
But at least I had a name. The mystery wasn't nearly so thick or dark. Yes. Constance. Familiarity had more than a face now.
Saturday, 16 July 2011
"Constance" Part 1 - BISCUITS AND ELEGANCE
Dreams. I've never paid much heed to them. The kind I usually have are loud and screechy things, splashed with colours so bright they're obnoxious. And don't get me started on the experiences of my earlier, more tender years.
Sleep was more of a place back then; a gaping cave mouth with a heaving breeze leading in. The things I found there weren't so much nightmares but wild imaginings dressed in formal clothing. Nothing is so paralysing than the sight of the usual going terribly wrong. On waking though, there was always a sense of relief as my eyes adjusted to not just the immediate surroundings but to the comforting knowledge that what was now happening was actually happening. Here the horrors were much larger but could always be hidden from, from behind a warm duvet and five extra minutes lie-in.
But then, as I was drawn in one gentle night, I suddenly found myself...elsewhere. 'Elsewhere' looked nothing like the other dreams. It was the finest living room I'd ever seen. So many facets and ornaments of 1920s elegance. How I admired that period; its art, its colour. Such a fresh-faced era. But the room was a blurry nothing, a background fading in and out of focus. My focus was busily set on the sight sitting so primly before me.
She was a raven-haired flapper, or at least dressed in that fashion. Her dress was sometimes green but often blue, but always curling with the ebb and flow of her slightest movements. This woman had silver eyes, a feature which more soothed than shocked me at the time. Her smile was a fragile line that dithered and parted with occasional flashes of white. Then again, my attention was far more concerned with other things: namely the light brown circles that were crumbling apart in her hands. Hobnobs. This was the object of my youthful passion. Suffice to say I was a boy who loved his snacking. And the woman must have known this too, or else why would she have been gleefully feeding them to me? I tried my best to keep from snapping at her long delicate fingers as they graced my mouth. After all, she was a thing of beauty, even to a ravenous twelve-year-old boy.
At the close of that moment, I felt that warmth that they always talk about lightly writhing within. And as the blurry gates closed across the dying image, and as I returned to brief, weary squints at reality; I could still feel it. But it wasn't alone now; it had acquired a strange companion. Emptiness. I had lost my pretty thing down a well and knew that it would be a long time coming back.
But it did. She did.
Friday, 15 July 2011
"Constance" Introduction (a.k.a. Getting the Compulsory Commentary Out of My System)
Hullo all!
Considering how well "Among the Magpies" did not too long ago, I thought that I'd write and release another serial short story for you. Well, to be perfectly honest, "Constance" is more of a short story with events that cut up nice and neatly into serial portions. It's slightly longer than "Among the Magpies" and (I think you'll be happy to hear) a lot less creepy. I still seem to lean towards the pathetic social pariah ([insert snarky remark about writer here]) bur I like to think that this guy is a lot sweeter. He's also a little bit upper-class camp, but I'm sure you'll find that out for yourself.
Anyway, that's all I'll say for the time being. After all, that's half the fun of a serial story, isn't it? The not-quite-knowing-what'll-happen-next feeling. I seem to get that sensation a lot when writing these commentary things...
However, there is one more thing. A (very) little poem expressing a rather uncharacteristically pessimistic perspective on individualism and rebellion against the norm. It's called "Upwind". Please enjoy and try not to get too bummed out by it (That's for all you fighters out there! I believe in you!). Meanwhile, if you are the sort of person who agrees with the message then try not to enjoy it too much (Damn you, you perpetual party-poopers! BOOOOOO!).
UPWIND
Standing tall
before the gales.
Freshest trick -
it always fails.
Oh and ah yes, keep an eye out for the three daily instalments of "Constance" and enjoy them too. If you can.
Thanks for reading,
Mr. Pondersome
Considering how well "Among the Magpies" did not too long ago, I thought that I'd write and release another serial short story for you. Well, to be perfectly honest, "Constance" is more of a short story with events that cut up nice and neatly into serial portions. It's slightly longer than "Among the Magpies" and (I think you'll be happy to hear) a lot less creepy. I still seem to lean towards the pathetic social pariah ([insert snarky remark about writer here]) bur I like to think that this guy is a lot sweeter. He's also a little bit upper-class camp, but I'm sure you'll find that out for yourself.
Anyway, that's all I'll say for the time being. After all, that's half the fun of a serial story, isn't it? The not-quite-knowing-what'll-happen-next feeling. I seem to get that sensation a lot when writing these commentary things...
However, there is one more thing. A (very) little poem expressing a rather uncharacteristically pessimistic perspective on individualism and rebellion against the norm. It's called "Upwind". Please enjoy and try not to get too bummed out by it (That's for all you fighters out there! I believe in you!). Meanwhile, if you are the sort of person who agrees with the message then try not to enjoy it too much (Damn you, you perpetual party-poopers! BOOOOOO!).
UPWIND
Standing tall
before the gales.
Freshest trick -
it always fails.
Oh and ah yes, keep an eye out for the three daily instalments of "Constance" and enjoy them too. If you can.
Thanks for reading,
Mr. Pondersome
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